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Artist Elizabeth Alexander: Transforming Found Objects and Domestic Spaces
Elizabeth Alexander is an interdisciplinary artist specializing in sculptures and installations made of deconstructed domestic materials. She holds degrees in sculpture from the Cranbrook Academy, MFA (2009), and Massachusetts College of Art, BFA (2004). Alexander's work has been exhibited at institutions across the country including the Museum of Art and Design, National Museum of Women in the Arts, North Carolina Museum of Art, Southeast Center for Contemporary Art, and Nas
Caitlin Correa
2 days ago2 min read


A Life in Painting: Landscape, Egg Tempera & Staying True to Your Work with Nick Blosser
Born in Columbiana, Ohio in 1958, the Nick Blosser received a B.F.A. (1980) and an M.F.A. (1982) from The Ohio State University. Their work has been recognized through prestigious national and state awards, including an Ohio Arts Council Fellowship (1983), a Rome Prize Fellowship to live and paint at the American Academy in Rome (1984–1985), and National Endowment for the Arts Individual Fellowships (1987–1988 and 1991–1992). After residing in Ohio until 1989 and later living
Caitlin Correa
Oct 22 min read


Abstract Painting and the Archaeology of Mark-Making with Danny Balgley
Danny Balgley is a painter whose large-scale abstract works investigate the archaeology of mark-making, using a process of physical accumulation and excavation to explore how surfaces hold, reveal, and dissolve history. Danny Balgley (b. New York, NY) lives and works in Queens, NY. He holds an MFA from Columbia University, a BFA from Cooper Union, and attended the Yale School of Art Norfolk program on an Ellen Battell Stoeckel Grant. He has been nominated for the Joan Mitchel
Caitlin Correa
Sep 181 min read


Artists Need Other Artists-Welcome to Season Nine
Welcome to Season Nine of I Like Your Work! In this opening episode, I’m reflecting on something I’ve been thinking about a lot lately: artists need other artists. So much of our work happens alone in the studio, but getting out into the world, seeing work in person, traveling, learning together, and having conversations with other artists can have a huge impact on our practices. I share some thoughts from my recent experience teaching The Symbolic Landscape in Italy and why
Caitlin Correa
Sep 42 min read
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